- October 1, 2005 to December 31, 2016
Showcasing the artists exhibiting at grunt gallery, brunt magazine is a complement to the exhibitions and a closer look at the artists, their processes and the ideas that inspire their work. This collection contains administrative and other documents related to the publication. Full issues can be viewed and downloaded at bruntmag.com
By Adrian Stimson, Al Neil, Andrea Cooper, ATSA, Carole Itter, Cheryl L'hirondelle, Chrystal Kruszelnicki, Claude Perreault, Dana Claxton, Darren O'Donnell, David Khang, David Neel, Dimitry Strakovsky, Dina Gonzales Mascaro, Edgar Heap of Birds, Enpaauk Andrew Dexel, Felicia Gay, Geoff Carter, Greg Statts, Hans Winkler, Harold Coego, Heloise Audy, Infrasense, Irene Loughlin, Jackson 2Bears, Jake Hill, Jason Fitzpatrick, Jeff Thomas, Johannes Zits, Joi Arcand, Joseph Kohnke, Jude Norris, July Faubert, Karen Kazmer, Keith Langergraber, Kevin Mackenzie, Kuh Del Rosario, Laurie Anderson, Lawrence Paul Yuxweluptun, Margaret Dragu, Martin Beauregard, Maurice Spira, Mirificus, Nathalie Ball, Naufus Figueroa Ramirez, Pam Hall, Rebecca Belmore, Roger Crait, Rolande Soulierre, Sadko Hadzihasanovic, Skeena Reece, Terrance Houle, Trevor Freeman, Victoria Singh, Wally Dion
artist | 3 ProgramsArtists Claude Perreault
- May 23, 2000 to June 17, 2000
Claude Perreaults large collage installations deal with pop culture icons as the commodities of current consumer society and their influence on us all, drawing parallels with Catholic iconography that is satirical and insightful. His use of the media of collage is truly astounding, painting with colour photography from pornographic magazines. His subjects, Michael Jackson, Princess Diana, OJ Simpson et al, are revealed against classical representations that are over the top. Ornate to the point of gaudy, the works appropriate classical and ecclesiastic imagery revealing our societys fascination with icons. Perrault is a Montreal bassed artist who has shown extensively in Quebec. This will be his first show in Vancouver.
By Claude Perreault