- September 8, 1990
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No description available
By Oliv
date | 23 Programs
Dates 1990- September 7, 1990
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No description available
By Chris Creighton-Kelly - Curated by Glenn Alteen, Susi Milne
Unanswered Questions
- September 6, 1990 to September 16, 1990
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No description available
By Andrew Wilson, Chris Creighton-Kelly, Elizabeth Fischer, Emily Faryna, Lowell Morris, Margo Kane, Oliv, Sandra Lockwood, Scott Tate, Sheri D. Wilson, Susi Milne
Vancouver Performance Art Series
- July 3, 1990 to July 21, 1990
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No description available
Where the Smokestracks Live
- May 22, 1990 to June 9, 1990
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Diana Kemble's mural Mixed Emotions based on a Haida Legend is an oil stick mural on arches paper and is 17 feet long by 42 inches. By breaking up sections of the mural and returning them upside down into the piece he disregards a linear narrative of the story and instead focuses on the feelings and emotion of surrender.
By Diana Kemble
Mixed Emotions
- May 1, 1990 to May 19, 1990
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Zoe draws upon her interest in accessibility and viewer involvement in her latest body of work, "Speaking Women." The work is an intimate look into private situations of individual women in the form of a collaborative portrait. Each woman is an active participant in the piece. This exhibition was held as part of the Mayworks Festival.
By Zoe Lambert - Curated by Donna Hagerman
Speaking Women
- April 5, 1990 to April 20, 1990
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A sculptural installation concerned with maintaining a focus between the inner and outer parameters of the gallery space. It involves a concrete ring form equipped with a revolving arm travelling at a speed of one interval per minute. Microphones are embedded in the form itself and reverberate the sound of this motion into the gallery walls. A large photographic reproduction and other elements combine with the form to create associations within work.
By Ron Huebner
May the Circle be Unbroken
- March 20, 1990 to March 31, 1990
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Merle Addison's exhibition Snapshots and Manipulations combines elements of photography and collage to create abstractions which denote spiritual and emotional concerns. His work does not create a narrative as much as portray a feeling or an emotional state.
By Merle Addison
Snapshots and Manipulations
- March 6, 1990 to March 17, 1990
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No description available
By Morgan MacGuigan
Politics of Power
- February 20, 1990 to March 3, 1990
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The show consists of a sampling of Ms. Banana's visual work; stamps, drawings, paintings and collage, along with documentation (photos, back issues of her publications; The Banana Rag, VILE Magazine, and most recently to the date, International Art Post, display books and video tapes) from her 20 years of public spectacles, performances and publishing.
By Anna Banana