- July 29, 1997 to August 14, 1997
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On July 29th, Reeve will present a lecture exploring the man-nature relationship from the perspective of the visual arts. Whilst Reeve pays respect to an understanding of the historical and social cration of the so-called man-nature understanding of the historical and social creation of the so-called man-nature paradox, indeed of the category 'nature' itself, her main aim in this lecture is to highlight both the pitfalls and potential strengths for contemporary artists taking the natural environment as their subject. The lecture will also include some explanation of Reeve's own methodology in creating performances and static works which explore nature and potential language forms laid in its services.
By Hester Reeve
date | 12 Programs
Dates 1997- June 20, 1997 to July 15, 1997
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No description available
By Eugenio Polgovsky - Curated by Glenn Alteen
Eugenio Polgovsky- Photographs
- January 21, 1997 to February 8, 1997
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I am currently working on a series of paintings that explores the construction of identity in the context of youth culture, motherhood and marginalization. The core of the work is my own experience as the lesbian mother of teenagers. The series goes on to examine related concerns--sickness and aging among them--that are raised as I am forced to accept my age in a culture that calls women old by the time they're 30.
By Suzo Hickey
Let Me Go Down In The Mud
- August 28, 1997
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No description available
By Andrew Power, John Boehme, Jonathan Wells, Neil Eustache, Stephen McIlvenna, Warren Arcand - Curated by J. McLaughlin
Making it Big
- May 8, 1997 to May 24, 1997
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An installation featuring Leather's machine of confinement and restraint. This apparatus, the result of many years research and experimentation, speaks of obsession on many levels.
By J.G. Leathers - Curated by Glenn Alteen
Mindsexpansion
- April 15, 1997 to May 31, 1997
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No description available
By Danyele Alain, Gilles Morissette, Paxcal Bouchard, Sonia Robertson
Paysages Inter Sites
- September 6, 1997 to September 28, 1997
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No description available
Positive
- June 26, 1997
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No description available
By Marlene Madison Plimley
Solo Performance
- July 8, 1997 to July 26, 1997
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No description available
By Julie Oakes
The Venice Series
- March 18, 1997 to April 5, 1997
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In "Transvisceral Borders", I use the human skin as a metaphorical magnet, to gather opposing elements from within the human psyche. The skin's ambiguous role as "link" and "barrier" to the external world, universally draws physical reaction and mental reflection. "Transvisceral Borders" probes the shadows between fascination and abhorence, between instinct and ethics. Like Entrapment I and II (shown in the video), this project continues to explore the duality in human nature.
By Haruko Okano