- April 11, 1995 to April 29, 1995
Addison's and Canyon's work are a current and contemporary insistence on the older genres they employ. There is an urgency to their need to pull new meaning out of old forms. Together the revitalize the flower as a post modern subject. (for full curatorial statement see attached brochure below)
By Brice Canyon, Merle Addison
- Curated by Glenn Alteen
medium | 5 ProgramsMedium collage
- January 4, 1989 to January 14, 1989
Open Heart: 1999 Members Group Show: Dawn Richard, Jean MacRae, Danielle Peacock, Daav MacNab, David Asmodeus, Polly Bak, Georgie Haggerty, Garry Ross, Ken Gerberick, Kempton Dexter, Spike, Joey Schwartzman, Merle Addison, Hillary Wood, Pat Beaton
By Daav Macnab, Danielle Peacock, David Asmodeus, Dawn Richards, Garry Ross, Georgie Haggerty, Hillary Wood, Joey Schwartzman, Kempton Dexter, Ken Gerberick, Merle Addison, Pat Beaton, Spike
- October 11, 1988 to October 24, 1988
Walker's works combine elements of fabric, painting and collage that span the distance between traditional quilt and fabric work and painting. Her use of form, colour and texture is highly refined in these works and there is synthesis of elements that create works that are expressive and complete.
By Victoria Walker
- January 1, 1994 to January 6, 2016
The Al Neil Collection includes materials on artist, musician, and writer Al Neil whose long and storied career has included grunt's Al Neil Project (see 2005.1015ALN) as a part of the LIVE Biennale of Performance Art 2005, features in brunt Magazine and the web project Ruins In Process: Vancouver Art in the 60s, and continues with grunt's involvement with the relocation, preservation, and reactivation of Al Neil and Carole Itter's cabin from the Dollarton shore. The Al Neil Collection includes physical copies of Neil's music recordings, photocopied and original articles on Neil, and various ephemera related to Neil's life and work.
By Al Neil