High Kicks Into the Light Forever and Ever and Ever is a new video installation by Vancouver-based artist Elizabeth Milton. Composed of a series of immersive projections that explore performative ritual and material play, the work revolves around a procession of participants meditating under the hot glow of a spotlight. Drenched in identical heavy make-up and lacquered in artificial sweat and tears, a series of ‘women’—disembodied faces displaying exaggerated markers of high femininity—form a fevered chorus-line for the camera. Melting under the heat, the performers’ make-up is a tenuous composition, eventually smeared away in a gesture of (choreographed) self-effacement. What is constructed fades, or rather, is obliterated. The make-up, so recognizable as an overstatement of gendered subjectivity, becomes a kaleidoscopic abstraction on white linen, acting as both colour field and performance document. Alongside sequences of props, costumes, and the garish refuse of novelty-store glamour, the images disarm assumptions of a composed subject, and point to the possibility of transcendence, an ecstasy in glitter.