Limeflower Heterodoxy is an exhibition by artist Sharona Franklin featuring the slow decomposition of one of her signature gelatin sculptures. With this work, Franklin takes the viewer into an exploration of healing methodologies, contrasting the different approaches of psychedelic and plant based medicine intertwined within the pharmaco-industrial complex. The installation centers the experiences of childhood rural illness, contrasted with the alien and often dehumanizing experiences of cytotoxic and pharmaceutical systems. Referred to by the artist as bioshrines, the sculptures embody tensions and contradictions held for those whose treatments include both natural medicine and—sometimes ethically controversial—biopharmaceutical care. Decomposition is an integral part of Franklin’s process, as she invites visitors to come back and revisit her sculptures over the course of an exhibition, witnessing their transformation in space, as time and organic matter collide. For the first time, a livestream video grants the viewer real time access to the transformation at any moment of the day or night. The artist records the decomposition of her work, creating two time lapse videos over the period of a month. The livestream and videos (30 minute Hi8 timelapse and 60 minute high res video with textile edition) were offered by Printed Matter as artist editions with all proceeds to benefit COVID Bail Out NYC. This installation is organized by Printed Matter, Inc. (NYC), hosted at grunt gallery, and produced with the support of VIVO Media Arts Centre.