- July 2, 2019 to August 3, 2019
This photographic exhibition features five large-scale digital photographs by Belmore produced in late 2017 and early 2018. The works were commissioned by grunt gallery and include witness, matriarch, mother, madonna, and keeper.
By Rebecca Belmore
- Curated by Glenn Alteen
Category | 313 ProgramsExhibition
- September 6, 2019 to October 19, 2019
Anton Cu Unjieng’s intricately taped, fired, and stacked ceramics are a response to recent political actions in his homeland in the Philippines. The Duterte regime’s mass killings have been officially classified as nanlaban, Filipino for ‘fought back.’ The stack arrangements in Cu Unjieng’s work are not only a monument to the regime’s precarious strength, but also to the possibility of fighting back.
By Anton Cu Unjieng
- Curated by Glenn Alteen
- November 1, 2019 to December 14, 2019
“How do you remember the past the most?”
Equal parts family recollection, historical research and spectral diary, Coco Means Ghost forms the moving image focal point of Gabi Dao’s new installation. Rooted in Dao’s research along the Mekong Delta and her own family’s history between cultures, a sentimental dissidence employs sculpture, video and sound to put imagined contemporary and historical diasporic voices in conversation. At the centre of the exhibition is a haunting: the eponymous narrator (a ghost in the form of a coconut) resists a singular place and time, moving freely, if not lightly, through personal photographs, contemporary commentary and archival material. Other characters appear– Lan, Ong Nam, Mr.Le, Quang, An, Nguyen and Dung–and together they tell the fragmented story of Ong Dao Dua ( ‘Mr.Coconut’), a monk who founded a small, self-sustaining, anti-war community in the late 1960s-70’s on Con Phung, an island colloquially known to westerners as the “Coconut Kingdom.” Through the lens of Ong Dao Dua’s oft-mythologized character, the work becomes an avenue to explore and enmesh broader notions of memory, nationhood, belief, belonging and dreams for the future.
Dao combines the single-channel video with sonically activated sculptures that transmit her family’s narrative in another form: excerpts from “Foreign Accent Improvement” cassettes used by the artist’s parents in the 1980s. a sentimental dissidence points to texture and poetics rather than conclusive fact, and creates a landscape that at once immerses, entangles and pushes back.
1. coco means ghost: Screen & Video, 25m24s, followed by a short pause. HD video, 2.1 sound, LED lights, cans of coconut water, photograph, bench & pillows.
2. you and i, i and you: Sculptures & Audio, 6m30s, followed by a short pause. Beaded curtains, UV reducing window vinyl, transducers, tempered glass, aluminum.
Accessibility: Hearing Access: Un-captioned English audio, some subtitled Vietnamese (written in English). Sight Access: Low light conditions
By Gabi Dao
- Curated by Vanessa Kwan