- November 29, 2002 to December 1, 2002
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No description available
By Dana Claxton, Glenn Alteen, James Luna, Lawrence Paul Yuxweluptun, Lori Blondeau
date | 18 Programs
Dates 2002- November 28, 2002 to November 30, 2002
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A performance by Cheli Nighttraveler that will be presented as the closing event for Nadia Myre's Indian Act.
By Cheli Nighttraveller
My Mother’s Smile
- November 8, 2002 to December 1, 2002
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With Indian Act, the horizontal line is used as a method of erasing and abstracting parts of Canada's Federal Legislation pertaining to its 'Indians'. Monumental in scale, it consists of sewing over each of the 56 pages of the annotated Indian Act with red and white glass trade beads. The white beads replace the words and the red beads, the space between them. The overall effect of the beaded page resembles a visual and tactile language, something akin to Morse code or Braille. However, beading the Act also speaks of a sociopolitical activity; each page is pierced by a needle and like a scar bears the stitch, a reminder of its path across the page, and generations of conditioned and controlled Indian lives.
By Nadia Myre
Indian Act
- October 17, 2002
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Depicting visual and emotional vignettes, Looking for Love In the Hall of Mirrors is Daniel's third graphic-performance. This live illustration traces and develops the internal dialogue of a common (sub)cultural archetype - the acerbic old queen. The character leaves the farm and moves to the city looking for love and artistic success; many of the protagonist's sermons address the politics of a sexually-charged landscape, and so the piece also obliquely addresses conformity in the queer community. This exhibition has a recorded electronic score by audio artist Jeffrey Cressman which accompanies the live monologue.
By Daniel Burrows
Looking For Love In The Hall Of Mirrors
- October 4, 2002 to October 26, 2002
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The human nude, central to Clement's work, is reinterpreted through numerous small drawings. The drawings are gathered into long strips and folded into large accordion shapes which are hung nearly to ceiling height. Created with mixed techniques and media, and done primarily in luminous blues, the resulting installation generates an impression of movement and enclosure within a sequence of instantaneous emotion.
By Jacques Clement
Bleu-Blue
- September 14, 2002 to October 20, 2002
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No description available
By Tim Lee
Vancouver Video
- September 6, 2002 to September 28, 2002
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No description available
By Joe Haag
Our Sponsors
- August 14, 2002 to September 1, 2002
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No description available
By Brian Lynch
Celebration of the Life and Work of Brian Lynch, A
- July 10, 2002 to August 10, 2002
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No description available
By Dale Roberts - Curated by Hillary Wood
Threaded Chronicles
- May 17, 2002 to June 15, 2002
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No description available
By Pam Hall