- May 5, 1998 to May 23, 1998
-
The artist is a white male, heterosexual, and judging by the surroundings, also middle class or more likely the dissatisfied heir of the middle class. Many of the references here are from black culture recognizing the huge influence African Americans have asserted in North American culture. The perfectly quoted Miles Davis or James Brown record covers sit like altars in these rooms. But the newspapers and magazines often tell a very different story.
By David Ostrem - Curated by Donna Hagerman
medium | 69 Programs
Medium PaintingA picture or image made with paint such as oils or watercolours.
- July 8, 1997 to July 26, 1997
-
No description available
By Julie Oakes
The Venice Series
- January 21, 1997 to February 8, 1997
-
I am currently working on a series of paintings that explores the construction of identity in the context of youth culture, motherhood and marginalization. The core of the work is my own experience as the lesbian mother of teenagers. The series goes on to examine related concerns--sickness and aging among them--that are raised as I am forced to accept my age in a culture that calls women old by the time they're 30.
By Suzo Hickey
Let Me Go Down In The Mud
- October 8, 1996 to November 2, 1996
-
I would like to propose a show of paintings and text to be presented at the grunt gallery. The title of the show would be called The Hardy Boys Revisited. The premise of the work would be that the Hardy Boys would be freed from the narrative time warp in which they are trapped perpetually as seventeen and eighteen year olds. By using fictitious book covers and titles the works chronicle their progression into adulthood and bring Frank and Joe Hardy into the 90's. For the purposes of this show they will begin aging from the late 60's, making them in 1995 in their mid 40's
By Andrew Short - Curated by Glenn Alteen
An Orgy Of Pansemics
- September 17, 1996 to October 5, 1996
-
Johannes Zits' paintings explore representations of gay sexuality within the context of painting. His new work continues in this vein, presenting images of bar interiors and gay couples, on a scale and in the style of Abstract Expressinoism. The result is a kind of warring of two disparate languages: the extreme America machismo of Abstract Expressionism with its almost hyperbolic expression of a private subjective state and the contemporary representations of the more politicized private spaces of gay bars. Zits' work poses questions pertaining to the language of painting-laden with a modernist history-and the language of contemporary media culture with its emphasis on issues of identity and social space and sets up a tension between the two.
By Johannes Zits
Touch
- February 14, 1996 to March 3, 1996
-
No description available
By Graham - Curated by Glenn Alteen
Recent Work-Paintings and Ships
- January 17, 1995 to February 4, 1995
-
No description available
By Thomas Anfield - Curated by Glenn Alteen
Altar Pieces
- October 25, 1994 to November 25, 1994
-
No description available
By Flois Aranas - Curated by Glenn Alteen, Joseph Haag
Paintings
- June 15, 1993 to July 10, 1993
-
No description available
By Anne Jew, Deanne Achong, Kathleen Dick, Shani Mootoo, Sulih Williams, Sur Mehat - Curated by Larissa Lai