- March 15, 1985 to March 17, 1985
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"Howard Brenton's plays are not easy. from Sore Throats his vicious attack on marriage to The Romans in Britain where he alternated scenes of the mediaval occupation by the Romans of Britain with scens of the modern day occupation of the British in Northern Ireland, his plays always stretch the ways we look at these and other issues. Brenton's plays are often described as a meld of Brecht and Genet. He brings the politics down to a level that is both personal and involving. "
By Howard Brenton - Curated by Glenn Alteen
medium | 92 Programs
Medium PerformanceAn art form in which artists become participants in their own work of art often combining elements of theatre, music, and the visual arts.
- November 29, 1992
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No description available
By Ahasiw Maskegon-Iskwew, Don Ghostkeeper
Sakehi’towin Onipowak
- June 2, 1993
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No description available
By Aiyyana Maracle, Haruko Okano, Oliv, Stephen Anthony
Facets of Human Sexuality
- May 20, 1995
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No description available
By Lorena Gale
What Colour is Black: Art, Politics and Racial Identity
- September 18, 1992
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Costume design by Kate Smith. Music by Russell Wallace.
By Dana Claxton - Curated by Aiyanna Maracle, Glenn Alteen
Tree of Consumption: A Performance in the Round
- November 1, 2014 to December 19, 2014
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grunt gallery kicks off our 30th anniversary programming with a residency and exhibition with Vancouver-based artist Julia Feyrer entitled, Kitchen. Taking the form of an evolving installation in the main gallery space, Feyrer’s work engages with materials and documentation from the grunt archives in the production of a new, site-specific environment.
By Julia Feyrer - Curated by Vanessa Kwan
Kitchen
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No description available
Performance Art Cabaret
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No description available
By Lizard Jones, Persimmon Blackbridge, Susan Stewart
Borderline Disorderly
- October 12, 1999
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No description available
By Reona Brass - Curated by Archer Pechawis
Everything to Know about Nothing
- May 20, 2011 to May 21, 2011
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In May 2011, ATSA and grunt gallery hosted an ALL-INCLUSIVE event entitled, “The Pigeon’s Club.” This event took place at Pigeon Park, on the corner of Hastings and Carrall in the Downtown Eastside of Vancouver, BC. The event boasted a getaway complete with exterior swimming pool and deck chairs and additional tourist iconography in the heart of Vancouver’s Downtown Eastside, an area where social exclusion and human suffering are among the most intensely experienced in Canada, but where there is also the greatest concentration of mutual aid and frontline services. The Pigeon’s Club was a satirical critique of the glossy, squeaky-clean view of the world champi- oned by travel agency brochures, which extol happiness as an all-inclusive package deal. ATSA provided its own outrageous take on the whole aesthetic of the ALL-INCLUSIVE to better pull people’s strings and stir up debate. gruntKitchen produced a video by ATSA titled “in this mean time” and a video documentary of the project by Elisha Burrows.
By ATSA, L'Action Terroriste Socialment Acceptable - Curated by Glenn Alteen