- April 11, 2014 to May 17, 2014
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10 Years of State of Emergency (État d’Urgence), a multidisciplinary visual exhibition based on a retrospective of works from 1998-2013 during État d’Urgence (State of Emergency), an annual 24-hour, 5-day refugee camp in support of people living homeless and under conditions of poverty.
By ATSA, L'Action Terroriste Socialment Acceptable
medium | 40 Programs
Medium Photography / Photo-based WorkWork including photographic elements either digital or analogue, not to be applied to work that has been documented photographically but is otherwise not photo-based.
- February 6, 1990 to February 17, 1990
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The work was a video collage of the mountain range in the traditional territory of the Gitksan Wet'suwet'en people. It functions as both a homage and a protest against the threatened clearcut.
By Mike MacDonald
7 Photographic Works
- March 15, 2019 to April 27, 2019
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An Exploration of Resilience and Resistance is about identity, culture, strength, vulnerability, and love; these images are about resilience and resistance. In this series, artist Kali Spitzer is photographing her community of mostly Indigenous and mixed heritage people, while challenging pre-conceived notions of race, gender, and sexuality to touch on how we can become more empathic, empowered people despite the hardships that we have endured. Spitzer uses tintype photographs to capture her subjects. Tintype or ferrotype photography was a product of the late 1800s and most popular during the US Civil War. The medium persisted into the 20th century at fairs and carnivals as tourist photography. In the 21st century, it has been revived as novelty or art photography. The tintype was the first real populist form of photography, making photographs available to working class people reaching out through popular events and gatherings.
By Kali Spitzer - Curated by Glenn Alteen
An Exploration of Resilience and Resistance
- April 7, 2016 to May 8, 2016
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Análekta – meaning “to gather up; to collect” – an exhibition of new works by Merle Addison, documents his switch from analogue to digital. Reworking old images using digital overlays, the final prints owe as much to printmaking as photography. At once modern and nostalgic, the works transform the media through their highly manipulated surfaces.
By Merle Addison - Curated by Glenn Alteen
análekta
- January 6, 1987 to January 17, 1987
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These photographs by European born Csere have a quality of darkness and light that is unique and speak to the camera's ability to create meanings.
By Leslie Csere
Aperture
- April 4, 2008 to May 10, 2009
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"The photographs of Greg Staatsare concerned with what motivates thee act of viewing as it moves into the time and space of the real, in search of an encounter. The image becomes the 'freezing' of this gesture: a small moment in a continuum, a brief ending barely captured in the image." -Francois Dion
By Greg Staats
auto-mnemonic six nations
- May 10, 2013 to June 8, 2013
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A retrospective and collaborative project based on Background/Vancouver, a photo-mapping expedition of Vancouver by Michael de Courcy with Taki Bluesinger, Gerry Gilbert, and Glenn Lewis on October, 30 1972. The project consists of the four artists walking three separate paths documenting their experiences in photographs. On October 30, 2012, Vancouver artists, Emilio Rojas, Guadelupe Martinez, and Igor Santizo, revisited this conceptual project. 40 years to the day, these three artists came together to forge a new, fourth path that intersects with the original paths which revisits ideas about Vancouver's identity and history. The retrospective project is entitled, ThisPlace/Vancouver
By Emilio Rojas, Gerry Gilbert, Glenn Lewis, Guadelupe Martinez, Igor Santizo, Michael de Courcy, Taki Bluesinger
Background/ ThisPlace
- January 15, 2015 to February 21, 2015
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grunt gallery presents Crossed, an exhibition by artist Ahmad Tabrizi and curated by Makiko Hara. This multi-media exhibition creates a sense of portraiture compiled of Farsi script, piles of dressmaking pins, and glimpses of the artist himself – both visually and through audio.
By Ahmad Tabrizi - Curated by Makiko Hara
Crossed
- May 18, 1993 to June 5, 1993
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No description available
By Tim Borsos - Curated by Glenn Alteen