Programs | The Activation Map

Programs

Mixed Emotions

May 22, 1990 to June 9, 1990
Uncategorized
Diana Kemble's mural Mixed Emotions based on a Haida Legend is an oil stick mural on arches paper and is 17 feet long by 42 inches. By breaking up sections of the mural and returning them upside down into the piece he disregards a linear narrative of the story and instead focuses on the feelings and emotion of surrender.

May 1, 1990 to May 19, 1990
Uncategorized
Zoe draws upon her interest in accessibility and viewer involvement in her latest body of work, "Speaking Women." The work is an intimate look into private situations of individual women in the form of a collaborative portrait. Each woman is an active participant in the piece. This exhibition was held as part of the Mayworks Festival.

April 5, 1990 to April 20, 1990
Exhibition
A sculptural installation concerned with maintaining a focus between the inner and outer parameters of the gallery space. It involves a concrete ring form equipped with a revolving arm travelling at a speed of one interval per minute. Microphones are embedded in the form itself and reverberate the sound of this motion into the gallery walls. A large photographic reproduction and other elements combine with the form to create associations within work.

March 20, 1990 to March 31, 1990
Exhibition
Merle Addison's exhibition Snapshots and Manipulations combines elements of photography and collage to create abstractions which denote spiritual and emotional concerns. His work does not create a narrative as much as portray a feeling or an emotional state.

February 20, 1990 to March 3, 1990
Uncategorized
The show consists of a sampling of Ms. Banana's visual work; stamps, drawings, paintings and collage, along with documentation (photos, back issues of her publications; The Banana Rag, VILE Magazine, and most recently to the date, International Art Post, display books and video tapes) from her 20 years of public spectacles, performances and publishing.

February 6, 1990 to February 17, 1990
Exhibition
The work was a video collage of the mountain range in the traditional territory of the Gitksan Wet'suwet'en people. It functions as both a homage and a protest against the threatened clearcut.