- March 31, 1992 to April 18, 1992
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No description available
By Koochie - Curated by Aiyanna Maracle
Category | 313 Programs
Exhibition- February 12, 1985 to February 23, 1985
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"This work can turn the noun angst into a verb carrying the viewer into a dark forest of lost hope. Ultimately we find the hope within ourselves and are better for seeing the work." - unknown
By Howard Brenton, Ken Gerberick, Mickey Stankovic, Susan McKinley
Krak Studio Goes to the Grunt
- November 3, 1987 to November 14, 1987
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L.A. Taxi is a series of B&W photographs by Robert Blake.
By Robert Blake
L.A. Taxi
- May 23, 2008 to June 28, 2008
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"For the The Hive-Dress , as in the first project (Les pensees-matiere) , we undertook the collection of spontaneous thoughts, written on thin stripes of paper.... AS in our previous work, these thoughts were sewn one after the other on a n indefinite ribbon, made from dyed scrap fabric coming from these same industries , pursuing our ritual of transforming thought into vibrant material." Audy and Faubert
By Heloise Audy, Julie Faubert
La Robe-Ruche (The Hive Dress)
- September 15, 1995
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No description available
By S. Lake
Last Supper/ Grand Opening
- November 9, 2001 to December 1, 2001
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Les Sedentaires Clandestins is a sculpture that inhabits the whole space in the exhibit room with its sounds and projected shadows. Continuing a series of installation and performance artworks using record players, obsolete objects that are anachronisms in today's culture of change and innovation, this artwork is entirely built around the circular movement inherent to turntable mechanisms: going around in circles may be both agonizing (in an adult's world) and amusing (in a child's world).
By Diane Landry
Les Sedentaires Clandestins
- July 11, 2003 to August 2, 2003
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Works on paper including found images, photos and drawings from Occupied Palestine. The International Solidarity Movement is a Palestinian-led movement of Palestinian and International activists who utilize nonviolent direct action to support the Palestinian struggle for freedom and an end to Israeli occupation. Carel Moiseiwitch produced these new works while in Palestine with ISM in February and March 2003.
By Carel Moiseiwitsch - Curated by Glenn Alteen
Life in Occupied Palestine
- September 8, 2011 to October 15, 2011
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In this series, an elongated and detailed landscape stretches across canvases populated by foreboding, black, geometric forms and meticulously rendered figures. Her current paintings portray the narrative of a female protagonist within a surreal landscape. Chaperon’s subject matter ranges from ethereal and dream-like to darkly humorous; she often deals with the feminine perspective from an autobiographical point of view.
By Rebecca Chaperon
Like A Great Black Fire
- June 10, 2020 to July 3, 2020
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Limeflower Heterodoxy is an exhibition by artist Sharona Franklin featuring the slow decomposition of one of her signature gelatin sculptures. With this work, Franklin takes the viewer into an exploration of healing methodologies, contrasting the different approaches of psychedelic and plant based medicine intertwined within the pharmaco-industrial complex. The installation centers the experiences of childhood rural illness, contrasted with the alien and often dehumanizing experiences of cytotoxic and pharmaceutical systems. Referred to by the artist as bioshrines, the sculptures embody tensions and contradictions held for those whose treatments include both natural medicine and—sometimes ethically controversial—biopharmaceutical care. Decomposition is an integral part of Franklin’s process, as she invites visitors to come back and revisit her sculptures over the course of an exhibition, witnessing their transformation in space, as time and organic matter collide. For the first time, a livestream video grants the viewer real time access to the transformation at any moment of the day or night. The artist records the decomposition of her work, creating two time lapse videos over the period of a month. The livestream and videos (30 minute Hi8 timelapse and 60 minute high res video with textile edition) were offered by Printed Matter as artist editions with all proceeds to benefit COVID Bail Out NYC. This installation is organized by Printed Matter, Inc. (NYC), hosted at grunt gallery, and produced with the support of VIVO Media Arts Centre.
By Sharona Franklin
Limeflower Heterodoxy
- October 25, 2013 to November 30, 2013
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location/dis-location(s): contingent promises continues Salloum’s visualization of the nature of the ‘natural’ and constructed environments. An extensive assembly of photographs, taken at various places the artist has visited over recent years, is composed through various signifiers and aesthetics. The images depict locations considered public and private, claimed and unsigned spaces, forms of the common, socio/ideological stage fronts, and domestic settings.These photographs are from Salloum’s ongoing body of work, untitled: photographs, that attempts to critically engage in the representation of public and private space. location/dis-location(s) approaches coming to terms with what it means to be making photographs here (and elsewhere) and the exploration of the possibilities of visualizing the nature of natural, urban, semi-urban, and sub-urban environments (and the totality of the constructs signified in those terms).
By Jayce Salloum