- July 8, 1986 to July 23, 1986
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"Celli's installation stands garish and threatening, seeming at first to be an obvious comment on the politics of our time Considered more closely, the piece reveals the artist's concern with aesthetics and the assignation of "values and morals" to art."
By Vilio Celli
Category | 313 Programs
Exhibition- June 24, 1986 to July 5, 1986
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Digby is located on the Bay of Fundy in Southwestern Nova Scotia. This marginal farmland, it's divisions basically unchanged for 150 years, is the birthplace of the artist and the home of The Herd.... The second part of this show entitled "Taking the TV for Granite" consists of a group of sculptural paper pieces and are descendants of the rocky farmland of Digby County."
By Kempton Dexter
Digby County Pastures
- June 10, 1986 to June 21, 1986
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"He seems to have an unfailing ability to come up with brilliant little assemblage works pieces together in an inspired way from junk and discarded objects.... It's virtually impossible to describe these works... these are not jsut silly, fun pieces, however, because they do have powerful messages and are often poignant and moving."
By Gary Ouimet
O’ Gluttony
- May 28, 1986 to June 11, 1986
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"Beyond the Border", the title of the exhibition, refers to both the real borders containing the works and to the imaginary border between reality and the places the artist is trying to describe or intimate with his pieces."
By Colin Fraser
Beyond the Border
- April 29, 1986 to May 13, 1986
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This is a retrospectiv eshow of introspective paintings done over a personally dramatic three year period of Claire's life: 1982 - 1985.
By Claire Grover - Curated by Carol Ptolemy
Paris a Three Year Retrospective
- April 15, 1986 to April 27, 1986
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"Danielle's present work revolves aroun the same image. This image is repeated hundreds of times, row upon row, hand-drawn on paper, then placed behind silicone or plastic . The work is personal but it is not oblique. The rows of fogures suggest continuum; time passing and generation following generation. playful use of materials and thoughtful construction combine to produce objects that are unique and beautiful."
By Danielle Peacock - Curated by Glenn Alteen
Works
- March 18, 1986 to March 29, 1986
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"Imagine seven giant flightless birds, like emus made out of straw and chicken wire, with foot-long shocks of straw shooting out ffrom their heads like punk haircuts.... run a sinuous, graceful river of eggshells diagonally across a popcorn beach......a three-minute looped tape of drums and screetching violins that Catherine characterizes as "the sound of thos birds talking and singing."
By Catherine Costello, Violet Costello
Birds
- March 5, 1986 to March 15, 1986
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"...figures drawn by seven-year-old Ingrid Gerberick and reprodouced as large paintings by her father, Vancouver artist Ken Gerberick. Viewers will have an opportunity to enter the imaginary world of a child who carefully observes personalities and styles, and to see thie slightly bizarre world enlarged to an easily assessible size. The impact of this unique exhibit is surprising."
By Catherine Costello, Ingrid Gerberick, Ken Gerberick, Violet Costello
Jiggers
- February 18, 1986 to March 1, 1986
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"...glass assemblage by Jean Mcrae. On a textural background of various cloths, and using an overlay of glass in various shapes and sizes, she place found objects in the form of copper or bits and pieces collected. The resulting abstract is alive visually with each layer visible and accounted for."
Built on Glass
- February 4, 1986 to February 15, 1986
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No description available
By Philip Willey