- January 13, 2017 to February 18, 2017
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Three Cities: Prayer and Protest is a shadow-based installation that investigates sites of tension, controversy, and contact within three cosmopolitan environments. Inspired by recent cities the artists have lived and worked in (including Istanbul, Montreal and Vancouver), the exhibition explores notions of prayer and protest as communal expressions of personal hope, desire, demand and outrage. Each ‘city’ becomes a palimpsest in which layers of social, cultural, economic, and political differences come into dialogue. Made from intricately cut paper sculptures, each city is presented as as “island”. These islands are explored by the viewer with the use of mobile lights created for the installation. As the viewer moves through the space, the miniature paper imagery comes alive. Large scale shadows fill the gallery walls and the viewer, who was initially towering over the fragile paper cities, is now surrounded by layers of giant shadow. The Garden of Earthly Delights: Inspired by the Hieronymus Bosch painting of the same name, this is an experience of the city as rendered in darkness. It's a ten-minute-long journey in which five viewers at a time are guided by a cued sequence of shadow projections and sound to bring a procession of paper cut-outs to life. The cityscape appears as shadows on the wall, becoming an abstraction even as its physical essence is laid bare. The artists take 16th century notions of heaven and hell and join them to a modern inquiry. This urban maze of concrete and cables: is it fantasy or nightmare? Decide for yourself as you experience the magic of light and paper. This is illusionism at its finest - refined down to a beautiful binary of black and white.
By Chris Carrière, Jaimie Robson, Maya Ersan, Mere Phantoms
Category | 145 Programs
Performance- August 30, 2018
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For March of the Monarch, David Khang creates a new public performance from recurring tropes in his art – monarch butterflies that camouflage a military soldier and his bicycle-powered tank. The public will be invited to form a “migration” of cyclists, and participate in a butterfly-themed bicycle ride through the city, accompanying the tank along False Creek, to Granville Island. Accompanied by the Korean music troupe Tazza, and with projected visual imagery as a backdrop, the audience will be invited to help release live butterflies. This multimedia project looks to engage the audience towards a social metamorphosis as part of Khang’s ongoing work of being open to change.
By David Khang - Curated by Glenn Alteen
March of the Monarch (How to Fly a Tank)
- November 2, 2018 to November 13, 2018
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Recollective: Vancouver Independent Archives Week 2018 takes place from November 2 – 13, 2018 as a series of free public events, panels, conversations, and screenings that highlight artist-run centre archives, artists working with archives, and the intersections between contemporary art practices and social movements in Vancouver. The program significantly expands on the work begun through previous archival projects: Activating the Archive and Vancouver Independent Archives Week. Taking the focus and format of these events as a starting point, Recollective broadens the context, understanding, and awareness of independent archives by exploring what is at stake when artists and arts organizations confront the tasks of arranging, describing, preserving, and providing access to material history. In 2018, Recollective features perspectives and approaches to archival practice through grassroots strategies, collective organizing, hybrid models, DIY spaces, open source solutions, and counter- archives that facilitate ownership of community memory by and for community. This series of events will emphasize the reciprocal influence between contemporary culture and social movements by drawing attention to shared experiences and struggles across diverse communities.
By !Kona, Casey Wei, Christine D’onofrio, Cindy Mochizuki, Dr. Anne Murphy, Dr. Glenn Deer, Dr. JP Catungal, Dr. Sunera Thobani, Elisa Ferrari, Elizabeth MacKenzie, Josh Gabert-Doyon, Laiwan, Laura Cuthbert, Melanie Hardbattle, Raghavendra Rao K.V., Salia Joseph, Samantha Nock, Sid Chow Tan, Syrus Marcus Ware
Recollective: Vancouver Independent Archives Week
- April 19, 2019 to April 21, 2019
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Together Apart has been envisioned as a way of making and holding space for 2SQ/Indigiqueer folks to come together and to be in dialogue with one another so that we might centre the conversations we’d like to hear or that we feel have been absent in our communities. However, our intentions are also simple: to celebrate and enjoy one another’s creativity and dedication to our practices, and to recognize one another in such a way that speaks across the distances we experience in our living and movement through our worlds.
By Afuwa, Anne Riley, Arielle Twist, Bo Dyp, Cease Wyss, Chandra Melting Tallow, Demian DinéYazhi’, Edzi'u, Evan Ducharme, fabian romero, Kali Spitzer, KERUB, La Tisha Rico, Lacie Burning, Lindsay Nixon, Mourning Coup, Niilas Helander, Ostoro Petahtegoose, Riley Kucheran, Storme Webber, Vi Levitt, Whess Harman, With War - Curated by Kali Spitzer, Whess Harman
Together Apart, Queer Indigeneities
- May 25, 2017 to May 29, 2017
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grunt gallery launched of Journey to Kaho’olawe, an artist publication by Hans Winkler and T’uy’t-tanat Cease Wyss. The artist book is the result of a four year process centred on the Hawaiian Island of Kaho’olawe, a sacred site to the Hawaiians in recovery after being occupied as a practice range by the American military. Returned to the Hawaiians in the 1990s, the island is being remediated and returned to its natural state. The publication also documents the Kanaka presence in British Columbia since the late 1700s when Native Hawaiians travelled to BC with some staying and marrying into the Squamish peoples on the BC Coast and many other indigenous communities throughout the region. With texts by Wyss and historians Jean Barman and Bruce McIntyre Watson in addition to Hans Winkler the book represents the four year research project by the artists. In conjunction with the launch of the publication grunt gallery and the artists presented a week long series of events celebrating Kaho’olawe and the Kanaka presence in BC from May 25 to the 29th, 2017.
By Hans Winkler, T'uy't-tanat Cease Wyss - Curated by Glenn Alteen