- May 19, 1992 to June 6, 1992
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No description available
By Nhan Nguyen
medium | 69 Programs
Medium PaintingA picture or image made with paint such as oils or watercolours.
- January 8, 1991 to January 26, 1991
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This series of paintings were produced over the last year at Vargas Island off the west coast of Vancouver Island. The striking feature is the quality of light Fletcher captures in these oil paintings. She works from life, each day going back to the same spot when the light is the same and strives to capture that light.
By Josphine Fletcher
Josephine Fletcher – Against the Blue
- January 9, 1990 to January 20, 1990
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No description available
By David Hwang
Sand Paintings
- July 18, 1989 to July 29, 1989
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No description available
By Jocelyn Edington
Paintings
- January 4, 1989 to January 14, 1989
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Open Heart: 1999 Members Group Show: Dawn Richard, Jean MacRae, Danielle Peacock, Daav MacNab, David Asmodeus, Polly Bak, Georgie Haggerty, Garry Ross, Ken Gerberick, Kempton Dexter, Spike, Joey Schwartzman, Merle Addison, Hillary Wood, Pat Beaton
By Daav Macnab, Danielle Peacock, David Asmodeus, Dawn Richards, Garry Ross, Georgie Haggerty, Hillary Wood, Joey Schwartzman, Kempton Dexter, Ken Gerberick, Merle Addison, Pat Beaton, Polly Bak, Spike
Open Heart (5th annual members show)
- December 6, 1988 to December 17, 1988
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Garry Ross' objects are easy to dismiss. They are old and for the most part obsolete. By changing the context in which the object is seen, the former use is nulified and it takes on a transformed meaning. Ross subtly alters these elements by transorming the mechanical into a pastoral where they become like a river or a mountain and the contemplation of which brings forth a multiplicity of meanings which speak to the metaphysical.
By Garry Ross
Animate Objects
- November 22, 1988 to December 22, 1988
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Exhibition of paintings and postcards by David Ostrem from his work "Social Criticism, A display of generational rage by a guy born in 1945."
By David Ostrem - Curated by Donna Hagerman
Social Criticism
- November 8, 1988 to November 19, 1988
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Personal Mythology Is the temple a secret retreat within my own mind? Is the angel a myth of my own potential? The symbol waits for you – to find your own personal mythology. Humankind has always invented myths that search for inner perfection. Amidst the seeming chaos of our real world, mythology offers us hope for a greater potential. These works draw on symbols from classical and religious mythology, inventing new symbols for modern times.
By Yolande Valiquette
Personal Mythology
- October 11, 1988 to October 24, 1988
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Walker's works combine elements of fabric, painting and collage that span the distance between traditional quilt and fabric work and painting. Her use of form, colour and texture is highly refined in these works and there is synthesis of elements that create works that are expressive and complete.
By Victoria Walker
Fabric Works
- February 16, 1988 to February 27, 1988
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The images in these paintings have been taken from architecture of the inner city–alleys, hidden courtyards, small factories– and framed in window frames found in those areas. What is left when the workers are gone are their artifacts. The paintings are therefore artifacts of artifacts. That is the nature of realist painting. Hillary wood used the ancient medium of egg tempera–a mixture of pigment and egg yolk. Practiced in the Middle Ages, it fell out of favour with the rise of oil painting but saw a breif rebirth in the 1930's and 40's. UBRAN ICONS is her first protracted exploration of that medium.
By Hillary Wood