- December 15, 1987 to December 24, 1987
"Each person and every object has its angel, which is simply its spirit or essence" With this in mind, grunt has received a vast cross-section of interpretations of angels and their meanings. As angels are messengers between the sprititual and earthly realms so are artists the mediators between the ideal and the real. The nature of the submissions will be as varied and mysterious as the nature of angels themselves.
By Andree LaPare, Aubrey Dayman, Bob Macabre, Carol Haber, Carol Shumas, Claire Kujundzic, Claude Bibeau, Cleo Mittlestat, Crankh, Danielle Peacock, Darrell Wyant, Darwin Wasend, Dave Pritchard, David Asmodeus, Davide Pan, Denis Seguin, Diana Sherlock, Dianne Radmore, Dorrie Ratzlaff, Ellen Mitchell, Faye Hoffman, Georgie Haggerty, Gerda Buxton, Glen Paul, Guldal Erbatur, Hillary Wood, Ian Baker, Jackie Dionne, Jim Christy, Joey Schwartzman, Jose Ventura, Josie Kane, Kathaleen Ball, Kelly Ulrich, Kempton Dexter, Leslie Ann Clark, Leslie Fawkes, Lil Chrzan, Loreen Hall, Lunar Suede, Marion Barling, Marion Bartolini, Marke G.A. Mazeppa, Martine Lambert, Meredith Feldmar, Mike Symonds, Mon Sky, Nora Blanck, Patricia Wolfe, Patsi McMurchy, Paul McDonald, Paula Seaton, Philip Melvin, Raymond Striegler, Robert Meilleur, Sharon Quirke, Spike, Steve Bridger, Terry Morrison, Tom Billings, Tom Knott, Virginia Achten, Wayne Chaput
artist | 2 ProgramsArtists Paul McDonald
- February 17, 1987 to February 28, 1987
Paul McDonald's interest lies in furniture and decor, and his show will consist of 7 or 8 groupings of furniture, with exotic and evocative names such as "Mesopotamia", "Empire", and "inquisition". The evocation of other times, other cultures was accidental, but effective and attractive. The artist's emphasis is on the finishing, although the shapes and styles of the pieces are all original and beautiful, some having been happened upon, some designed specially for the show. Using such techniques as "faux marble," gilding and glazing, McDonald seeks to create a sense of age and richness in his woods and fabric.
By Paul McDonald