- September 14, 2002 to October 20, 2002
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No description available
By Tim Lee
Category | 313 Programs
Exhibition- September 6, 2002 to September 28, 2002
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No description available
By Joe Haag
Our Sponsors
- July 10, 2002 to August 10, 2002
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No description available
By Dale Roberts - Curated by Hillary Wood
Threaded Chronicles
- May 17, 2002 to June 15, 2002
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No description available
By Pam Hall
Re-Writing Her Body: Towards the Reading Room
- April 19, 2002 to May 11, 2002
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This exhibition of sculpture by Cuban artist Osvaldo Yero consists of wall-mounted ceramics, running water, and live plants. He makes use of symbols such as the hand, the heart, plants and tears, to use kitsch and cliche to make statements about poverty and Cuban history.
By Osvaldo Yero
Transplant
- March 15, 2002 to April 6, 2002
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A series of sculptures composed of commonplace objects together with objects the artist has constructed from wood, aluminum, resin and lead. The latter materials are often cast in multiples from moulds initially made from collected artefacts, such as bones. This exhibit also incorporates monitors showing simple, repetitive moving images in such a way as to mask the frame of technology, such that the fluidity of image and sound remain.
By Fae Logie
Tidal Friction
- February 15, 2002 to March 9, 2002
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Robert Burke was born and raised in the North West Territories. This is where much of his experience and concepts are drawn from. He refers to himself as an "Aboriginal" because of the two cultures he has experienced through his black military father and Chipewyan mother. His visions are accounts of the timberland and wildlife within the forests where he lived and worked as a logger most of his life. His triptychs are abstracted ideas and thoughts, jumbled together to create a vividly fascinating world of human and animal figures. It was during his early twenties that Robert Burke started his artistic endeavours but then went into logging. It hasn't been until recently that he has taken up the brush again, becoming an emerging artist with a background as colourful as his paintings.
By Robert Burke - Curated by Daina Warren
Aboriginal Immersion
- November 28, 2001
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Talking to Strangers is a show that explores, through use of oral history, physical theatre, and projected images the similarities and connections between the people of Newfoundland and Quebec, With text taken verbatim from conversations, this show plays with senses of humour and place and looks at how language - each uniquely distinctive - reveals the identity of both. Growing up a Newfoundlander of Cockney parentage and later moving to Quebec, Louise Moyes developed a fascination for accents, stories, and personal as well as contrasting world views. Louise has presented her work across Canada and in Europe.
By Louise Moyes
Talking to Strangers
- November 9, 2001 to December 1, 2001
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Les Sedentaires Clandestins is a sculpture that inhabits the whole space in the exhibit room with its sounds and projected shadows. Continuing a series of installation and performance artworks using record players, obsolete objects that are anachronisms in today's culture of change and innovation, this artwork is entirely built around the circular movement inherent to turntable mechanisms: going around in circles may be both agonizing (in an adult's world) and amusing (in a child's world).
By Diane Landry
Les Sedentaires Clandestins
- October 5, 2001 to October 27, 2001
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Peter Morin's new work was presented in conjunction with a feast in the adjoining room creating a place in between the art gallery and the traditional longhouse/band hall dinner.
By Peter Morin