- March 15, 1994 to April 2, 1994
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No description available
By Sergio Finamore - Curated by Glenn Alteen
curator | 79 Programs
Curators Glenn Alteen- November 16, 1993 to December 5, 1993
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No description available
By Kempton Dexter - Curated by Glenn Alteen
Yellow Cedar Songs
- October 19, 1993 to November 6, 1993
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No description available
By Jan Wade - Curated by Glenn Alteen
Soul Tone Poem
- May 18, 1993 to June 5, 1993
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No description available
By Tim Borsos - Curated by Glenn Alteen
Discourse Of A Traveller
- September 10, 1992 to September 20, 1992
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The First Nations Performance Series was the third annual performance series organized by the grunt gallery. The program featured one evening of cabaret and ten evenings of solo performance, running from September 10th to 20th, 1992. This series featured First Nations artists and was a significant presentation of the diversity and scope of contemporary Native expression in performance.
By Ahasiw Maskegon-Iskwew, Aiyyana Maracle, Annie Frazier, Archer Pechawis, Dana Claxton, Jimmy Sidlar, Lee Maracle, Margo Kane, Marie Humber, Michael Lawrenchuk, Michelle Thrush, Sam Bob, W. Allen Deleary, Zachary Longboy - Curated by Aiyanna Maracle, Glenn Alteen
First Nations Performance Series
- June 30, 1992 to July 30, 1992
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No description available
By Ken Gerberick, Marcia Pitch - Curated by Glenn Alteen
Two Walls
- November 19, 1991 to December 14, 1991
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Unforgettable Ancestors is an exhibition of the dreams of Amos Glick Zook. These dreams take the form of figurative sculptures which combine woodcarving with neon. Zuck was born Amish but his work is a marked contrast from their stark, Spartan design. The wood is his connection to his past; both his father and grandfather were woodcarvers. The neon to him represents energy, breath and spirit. The figures in these sculptures come to Amos in dreams and represent for him emotional states such as steadfastness, loneliness, disillusionment, listening stillness, sadness, and comfort. These works attempt to balance his past and present; the wood and neon combine to create new visions.
By Amos Glick Zook - Curated by Glenn Alteen
Unforgettable Ancestors
- September 7, 1990
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No description available
By Chris Creighton-Kelly - Curated by Glenn Alteen, Susi Milne
Unanswered Questions
- October 17, 1989 to October 26, 1989
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Kathryn Walter's redevelopment intervention was displayed in the streets of Vancouver in November 1988. She appropriated phrases from Harlequin Romance novels and placed them as footnotes on twenty different development permit applications. The phrases carried stereotypical tones of male ownership and dominance of women which when juxtaposed with the permit signs create a parallel in power structures. The intervention was subtle yet effective in drawing attention to the permit signs as symbols of the economic oppression of many inner city neighbourhoods. By bringing the documentation of the project into the gallery we can focus on the piece as a whole and discuss the issues involved in development in Vancouver. Another instalment will be placed in the street during the exhibition.
By Kathryn Walter - Curated by Glenn Alteen
Redevelopment: An Intervention Represented
- July 4, 1989 to July 15, 1989
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Charcoal drawings and text for Orbis Pictus - both by Jo Cook, inspired by the book by Czech philosopher Jan Amos Comenius (1592-1670.)
By Jo Cook - Curated by Glenn Alteen